108: A brush specifically made to fit into small, onset alcohol-activated palettes. This is also a fantastic brush to help clean lace hair goods.
110:This brush was designed to perfectly create a spray and/or splatter of color to emulate the natural look of skin. Thumb or finger fits nicely on bristles to create the splatter effect. This brush is also great for carefully brushing in hair whiteners and streaks in mustaches.
116: Ideal for sculpting when dotting clay slurry onto a sculpture and for painting very fine lines.
118: Designed for holding the right amount of alcohol activated palette colors used for artificial tattoos.
122: The angle on this brush simplifies the application of glue in all those hard to reach areas near the ears, eyebrows or the nose. Applying glue under the brow or shelf of the jawline has never been easier. The bent angle is great for smoothing fine details in sculptures.
123: A glue brush for getting those hard to reach places, perfect for ears, brow, and nose areas.
125: A sturdy brush for gluing and can be used for removal.
127: This brush is designed to not flair out while applying glue and to lay down adhesives quickly and efficiently.
128: The bent angle on this brush helps to get into areas that a straight angle brush would be difficult to use; it also doubles as a prosthetic adhesive brush. This is great for painting beneath a protruding forehead prosthetic. It's also great for adhesives and smoothing, sculpting prosthetics.
133: A precision Dagger brush that is fantastic for small areas, especially good for lining the eye area.
134: This is an ideal brush for creating a sharp, hard line and blending all in one and also great for contouring and shadowing in beauty makeup. Create sharp definite lines with wet eye shadow and 2D face painting.
135: A larger version of the Dagger brush, helpful for drawing lines and blending wider areas.
136: The Filbert brush has a rounded shape perfect for applying and blending makeup. Its great for applying glue on prosthetics in hard to reach areas, such as around the eyes and nose. It also can be used for smoothing lines that are sculpted in clay or wax.
138: Great as a large glue brush or for painting and sculpting.
145: The perfect "guy liner" brush is designed to quickly and efficiently lay down smudge effects on the eye line. This brush is also great for clay sculpting.
153: This brush is designed for small, capillary detailing around the eyes, nose or bruises. It is also designed for fine line work, such as painting theatrical tattoos or lettering.
156: Bring your creation to life. Create the most realistic veins for any facet of FX makeup using this veining brush - great for vampires, zombies.
157: A larger version of the veining brush from the first series, this is useful for larger veins/arteries and sculpting.
163: This is the ideal brush for precision detailing and for softening fine detail and sculptures.
167: This brush is designed to have the feel of a human finger, useful for smoothing and blending clay sculptures where it is difficult to reach. Also, very effective for blending makeup or using powder, more sanitary than using a finger.
173: This stomper has a great material that holds powder very well and is useful for pressing down the edges of a prosthetic when adhering it to the skin.
174: The feathered and etched filbert on this brush helps to add fine texture in small areas.
175: This filbert, rounded brush has strategic cuts in it for adding paint texture to the makeup you apply. Its great for bruising and stippling.
177: This brush is ideal for painting the natural curvatures of the body and is ideal for smoothing out clay when sculpting.
179: Creatively angled and textured for painting multiple lines in unison. Perfect for striations in muscles and many other organic patterning.
184: This traditional water color style brush works fantastically with water-based or alcohol-activated makeups. Its great for stippling, and offers a softer texture around the eyes. This brush is great for a wide application of makeup.
186: This larger version of our original SFX watercolor brush is great for applying soft washes of color, softening details on sculptures, and to create blood effects.
190: Super small, yet super detailed. This fine brush is designed to create extra stippling and detailing effects on the body.
191: This small stipple brush is like the medium and large stipple brush in the FX Line, but is designed for very small areas, such as ears nose, and eye areas.
193: This brush is perfect for creating a stipple effect, pointillist painting and a texturing brush.
195: This brush is an exceptionally textured stippling brush for large areas of coverage and is helpful when painting bald caps and prosthetics that cover the body. Each brush is completely unique. The brush hairs are sporadic and unevenly dispersed to give you different textures each time it is used on the skin.This helps the stipple motion imprent differently every time to give a better breakdown of skin.
197: Say hello to our biggest Stippling brush yet! The brush hairs on this brush are sporadic and randomly dispersed to create realistic and natural textures for larger areas on the skin.
Double pouch: This Double Pouch accommodates the brushes in the Bdellium Tools SFX series. This SFX Double Pouch, part of the Bdellium Tools SFX series, is uniquely designed to help you carry your must-have brushes and tools for your work. This item can be separated into 2 single pouches or it can be attached using the 2 sets of velcro straps. Combined, this Double Pouch has 3 zip pockets with reinforced metal zippers and 2 slip-in side pockets for smaller, casual items. The pouches are made of clear, flexible plastic so that with one swift glance, you know what brushes and tools you have with you.
Glue set: Brushes included in this set: #173X Stomper, #129X Bent, Multipurpose Glue, #127X Large Glue, #126X Filbert Glue, #125X Square Glue, #124X Small Glue, #122X Bent Glue, Ziplock Pouch
Glue remover set: 105 Large Glue Removing and 103 Small Glue Removing are prosthetic removal tools created with all synthetic fibers. Their textures are firm in order to hold prosthetic makeup remover, yet soft enough to work on skin. Easily remove prosthetics by dipping brush in prosthetic makeup remover (ie. Isopropyl Myristate) and applying it between the skin and prosthetic to gently work prosthetic off. Each brush aids in reactivating glue/adhesive, which helps to gently release prosthetic away from skin.
1st collection: Brushes included in this set: #195 Large Stippling, #193 Small Stippling, #184 Water Color, #179 SFX Muscle, #175 FX10, #156 Veining, #153 Capillary, #136 Filbert, #134 Medium Dagger, #128 Bent Liner, #122 Bent Glue, #110 Splatter, Double Pouch
2nd collection: Brushes included in this set: #191 Precision Stippling, #177 Inverted Streak, #173 Stomper, #167 Finger, #157 Large Veining, #138 Large Filbert, #135 Large Dagger, #133 Small Dagger, #125 Square Glue, #123 Large Bent Glue, #118 Tattoo Liner, #116 Short Liner, Double Pouch
3rd collection: Brushes included in this set: #197X All Over Stippling, #190X Mini Stippling, #186X Large Water Color, #174X FX5, #163X Mini Finger, #145X Inverted Smudge, #127X Large Glue, #108X Precision Splatter, Double Pouch
