The Clear tone provides you the option to reduce the opacity of our flesh tones to give you that perfect blend between colour and transparency. It’s also great for creating your own custom tone by allowing for easy self-tinting with P.T.M. pigments and flocking.
Light Flesh tone is rapidly becoming an industry favorite for it's more natural look compared to our Pink 5. Light Flesh P.T.M. was developed to blend more naturally with most Caucasian skin tones straight out of the jar and creates a lesser need for paint over the top. Not too pink or too translucent, Light Flesh is the perfect alternative to our standard Pink 5 tone.
Pigmented brown with a reddish undertone, our Dark Flesh tone works best with nearly all darker skin tones. The slightly reddish undertone makes for a more natural looking paint while the brown tone allows for seamless blending.
P.T.M. Dead Flesh may be the closest thing to actual rotten flesh as you’re going to want or need. With minimal makeup needed and quick application process, you can have zombies running in no time.
Pale Flesh is our newest tone formulation with only the slightest amount of blush undertones required. It was designed to mirror the most fairest of them all. Pale Flesh will blend most naturally with fair Nordic skin tones due to the white:pink pigment ratio used. Compared to our Light Flesh tone, it's noticeably more white, while still offering a natural skin tone.
P.T.M. Pink 5 has become the standard colour on almost every Prosthetic Transfer in the Special Effects Makeup industry. It provides a realistic and healthy looking under glow for any make-ups being applied to your transfers and works great for almost every Caucasian and dark skin tones.
P.T.M. Olive tone blends great with various types of warm skin tones and/or skin tones considered to be light tan in colour. Olive is a great base colour to blend with most skin tones that have a yellow, green, or golden undertone. This pre-pigmented tone will make blending easier on a wide range of Asian and Mediterranean skin tones.
